{"id":2260,"date":"2016-12-13T17:18:00","date_gmt":"2016-12-13T15:18:00","guid":{"rendered":"https:\/\/www.rwfund.org\/eng\/?p=2260"},"modified":"2016-12-13T18:17:30","modified_gmt":"2016-12-13T16:17:30","slug":"ana-woolf-peripheral-view","status":"publish","type":"post","link":"https:\/\/www.rwfund.org\/eng\/2016\/12\/13\/ana-woolf-peripheral-view\/","title":{"rendered":"Ana Woolf: Peripheral view"},"content":{"rendered":"

\"ana-woolf\"<\/a><\/p>\n

Reconstruction Women\u2019s Fund<\/strong>, within the program of feminist philanthropy<\/strong><\/a>, through interviews with women who inspire and motivate us<\/strong><\/a>, gives you an opportunity to hear about various art practices, festivals and initiatives. You can also hear their reflections on the importance of our assembling, meeting, creating and changing!\u00a0<\/a>Ana Woolf<\/a>\u00a0<\/strong>from Argentina is a pedagogue, actress, director. Co-founder and art director of the network Magdalena<\/em> \u2013 Second generation<\/strong>,<\/a> Latin-American network of women in contemporary arts.<\/p>\n

We know her: she was couple of times the guest in Belgrade and Serbia, and the most recent precious experience with her we had within our program Roma Girls\u2019 Solidarity<\/a>\u00a0<\/strong>where in common workwith Vera Ribeiro, artist from Brazil and the feminist art group Act Women from Belgrade a theater performance Presence in Life<\/strong><\/a>\u00a0was created and performed in The Puppet Theater in Nis and in Roma settlements in Vlasotince and Pirot.<\/p>\n

This is Ana\u2019s message:<\/p>\n

Why is it important that we organize feminist festivals and gatherings?<\/em><\/strong><\/p>\n

I think it\u2019s important to organize women\u2019s festivals first to put us women on the stage, in the center, with our body and our voice, so as to build\u00a0a presence to live out and beyond the stage. I also think it\u2019s important to talk about why we do this work, in order to find help and to be exposed to other points of view\u2026 What I am looking for in a women\u2019s festival is to be checked, to show my work and to receive feedback that will show me if and when I am repeating a gender model that I have been learning since I was born and didn\u2019t realize it. So, if I show my work in a mainstream festival, I don\u2019t have this kind of feedback and this \u201ccheck\u201d, as I call it, coming from other women. It is very easy to fall down into a linguistic structure \u2013 using the male subject or just unconsciously repeating male models. So, this is important for me \u2013 the center of the stage, to be present with our body and voice and also to confront a female audience and be checked. That\u2019s important.<\/p>\n

Why do you think it\u2019s important to invest money into women\u2019s human rights and arts?<\/strong><\/em><\/p>\n

Because I think there is a lot of money invested in male stuff like war, weapons, and if half of this money could be invested in women\u2019s rights probably the world would be different, childhood would be different, there would be less misery and poverty \u2013 and we would have to fight less for\u00a0survival. We do thousands of things, we have three plus jobs per day, it would be a good thing to be able to concentrate our energy in protecting ourselves\u2026 economic protection is like a house.<\/p>\n

What do you think about feminist foundations, particularly local ones? Do you think it\u2019s important to have them?<\/strong><\/em><\/p>\n

They are like a home, even if I\/we don\u2019t use their support\u2026 they are places where we can go to women we know when we need help \u2013 to feel protected from violence or to get help to do an artistic project. Usually when you ask for money from the usual institutions they put conditions about subject, esthetics, ethics\u2026 But there are places where perhaps I can ask for money and they will not ask me to control my speech nor question the subject I want to speak about.<\/p>\n

What is a concept of solidarity for you?<\/strong><\/em><\/p>\n

Solidarity for me is to have a peripheral view. It is going further from your obligation\u2026 it\u2019s to be able to live your life with compassion and the root of compassion is \u201ccon\/with passion\u201d \u2026\u2026<\/p>\n

\u00a0What does this obligation mean?<\/strong><\/em><\/p>\n

To be able to go out\/away from your belly \u2013 to have this peripheral view \u2013\u00a0that is, I am with me but conscious of the one who is beside me, not like a serpent rolled into myself.<\/p>\n

Interview:\u00a0<\/em>Zoe Gudovi\u0107<\/em><\/strong><\/p>\n

Transcription: <\/em>Ana Im\u0161irovi\u0107 \u0110or\u0111evi\u0107<\/em><\/strong><\/p>\n

\n

\"anaizoe\"<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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